Originally posted by Palynkanot enough reach there -- besides, that was after the character began to appear, which was before the 11th century.
Because of the Seljuq empire.
the Seljug was a Turko-persian empire. Doesn't explain the Chinese or Romanian aspects.
The main line of Nazrudin stories tend to be ascribed to the Sufis, not the Sunnis, in any event.
Originally posted by ScriabinI think the Romanian (or Bulgarian) aspects are probably more Ottoman in nature. For example, in Bulgaria (which I know better than Romania), the role of Nastradin Hodja (how Bulgarians call him) as Hitar Petar's victim is clearly a reaction to Ottoman rule, when probably Nasreddin stories were common. You don't want your enemy to be wise, even in the falsely naive form of the tales.
not enough reach there -- besides, that was after the character began to appear, which was before the 11th century.
the Seljug was a Turko-persian empire. Doesn't explain the Chinese or Romanian aspects.
The main line of Nazrudin stories tend to be ascribed to the Sufis, not the Sunnis, in any event.
I don't know about the Chinese aspects of Nasredding. Can you expand on that?
How else do you explain it's presence in China, if not by the Seljug empire? Ottomans never expanded that far.
The main line of Nazrudin stories tend to be ascribed to the Sufis, not the Sunnis, in any event.
This varies significantly with region. Ask any Uzbek if he thinks Nasreddin is a Sufi...
Originally posted by PalynkaI think our favorite Mullah was fairly universal. Clearly he was in vogue with the Persians and the Turks.
I think the Romanian (or Bulgarian) aspects are probably more Ottoman in nature. For example, in Bulgaria (which I know better than Romania), the role of Nastradin Hodja (how Bulgarians call him) as Hitar Petar's victim is clearly a reaction to Ottoman rule, when probably Nasreddin stories were common. You don't want your enemy to be wise, even in the falsel ...[text shortened]... b]
This varies significantly with region. Ask any Uzbek if he thinks Nasreddin is a Sufi...
I just cannot figure the Chinese connection. But, then, if you read Orhan Pamuk's My Name is Red, you get a good explanation of how the Chinese style of manuscript illumination came to influence the Persians and then the Turks.
Perhaps the explanation for Nazrudin's popularity runs along similar lines as the arts. A lot of Nazrudin stories are about his encounters with Timor the Lame, for example.